Early Work:
1970s–1990s
Photography’s ability to depict “reality” has been one of its most praised and valued qualities. Faith in the believability of the photograph led to the assumption that the appearance of an object somehow revealed its essence. This belief is particularly strong in our attitudes toward the portrait and its supposed ability to express the inner state and thoughts of the sitter. Yet, the appearance of discernible truth beyond the surface characteristics of the subject is an illusion. The photographic portrait is able to convey only clues to the sitter’s thoughts. It is understandable, then, that an artist interested in expressing internal states of mind would look for ways to extend the connotative power of the image. Ellen Carey combines the realism of the photograph with the evocative power of paint and collage to create an image that not only records appearance but suggests essence. (more)